Showing posts with label GODZILLA KAIJU. Show all posts
Showing posts with label GODZILLA KAIJU. Show all posts
Saturday, March 13, 2021
Wednesday, August 19, 2020
Saturday, May 23, 2020
Tuesday, February 17, 2015
DINOSAUR THEME 3D CAKE SINGAPORE # SUGAR CRAFTED JURASSIC PARK THEME CAKE SINGAPORE # TREX DINOSAUR THEME CAKE SINGAPORE # GODZILLA THEME CAKE SINGAPORE
WHAT IS PARTICULARLY DIFF IS THE FACT THAT THESE DINOSAURS WERE CREATED STANDING ON THE THIN LEGS , THERE ARE ALL SUGAR CRAFTED .
TIME TAKEN TO DRY THE LEGS BEFORE WE CAN ADD ON THE WEIGHT OF BODY FOR THE CAKE . ENGINEERING CAKE INDEED .
Sunday, March 30, 2014
GODZILLA 3D CAKE SINGAPORE 9 W KID ON THE BACK / KAIJU CAKE SINGAPORE/ PACIFIC RIM MONSTER KAIJU THEME CAKE SINGAPORE
THIS WAS A SPECIAL REQUEST TO MAKE THIS GODZILLA FIERCE LOOKING AND IN DESTRUCTION MODE .
CLASSIC JAPAN GODZILLA
Godzilla (γ΄γΈγ© Gojira?) (/Ι‘ΙdΛzΙͺlΙ/; [Ι‘oκdΚiΙ½a] (
)) is a Kaiju first appearing in IshirΕ Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.. The monster has appeared in numerous other media incarnations including video games, novels, comic books, and television series. A 1998 American reimagining was produced and a second American version is currently undergoing post-production.[9] The character is commonly alluded to by the title King of the Monsters, an epithet first used in the Americanized version of the original 1954 film.
)) is a Kaiju first appearing in IshirΕ Honda's 1954 film Godzilla. Since then, Godzilla has gone on to become a worldwide pop culture icon starring in 28 films produced by Toho Co., Ltd.. The monster has appeared in numerous other media incarnations including video games, novels, comic books, and television series. A 1998 American reimagining was produced and a second American version is currently undergoing post-production.[9] The character is commonly alluded to by the title King of the Monsters, an epithet first used in the Americanized version of the original 1954 film.
With the nuclear bombings of Hiroshima and Nagasaki and the Lucky Dragon 5 incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons.[10] As the film series expanded, some stories took on less serious undertones portraying Godzilla as a hero while other plots still portrayed Godzilla as a destructive monster; sometimes the lesser of two threats who plays the defender by default but is still a danger to humanity.
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